
Kareena Kapoor is tired of comparisons. The Bollywood star insists Heroine is
not another The Dirty Picture.
“Vidya (Balan) did a fantastic job and I
don’t like clarifying rumours, but I have to assert that there are absolutely no
similarities between the two films. Silk was an item girl while my character,
Mahhi Khanna, is a heroine,” she points out, adding that while Milan Luthria’s
superhit period drama was set in the South Indian film industry of the 1980s,
Madhur Bhandarkar’s movie is here and now, rooted in the Hindi film
industry.
Kareena was the first choice for Heroine, but the super busy
actor had to opt out over date issues. Madhur then announced the film with
Aishwarya Rai Bachchan at the Cannes Film Festival last year, and on their
return to Mumbai, set the film rolling. However, after Aishwarya’s pregnancy
came to light, the project was stalled for a few months till Kareena returned to
it. Certain changes were made in the script and Heroine was restarted on
November 30 last year.
After 11 days of work, Kareena took off on a
much-needed annual vacation with beau Saif Ali Khan to their regular place in
Switzerland for 20 days in December. “We’ve got 80 days more to go before we
wrap up the film and there’s so much more to come,” she says, adding that the
first promo that UTV has cut featuring her, which was unveiled recently to the
press, is quite cool.
Kareena
Kareena and Madhur have wanted to work
together for a few years now. She was offered Page 3 (2005) and Fashion (2008).
“Let’s hope we’ll be third time lucky,” she smiles.
“Madhur is a National
Award-winning writer-director, his films are not your usual Bollywood fare but
exciting and unconventional. Heroine too is a journey revolving around a star’s
personal and professional life that you’ve never seen on screen before but would
want to.”
source : Hindustantimes
Sorry, Priyanka and Katrina, 2012 is Kareena's year
"Even when destiny gave up on Kareena, her DNA didn't", filmmaker Karan Johar
once said of actor Kareena Kapoor. After a string of flat performances, the
desperation to tear away from ditzy roles had begun to show as early as 2004
when she played a commercial sex worker in Chameli.
Eight years later, a
31-year-old Kareena has quietly grown into her legacy as Raj Kapoor's
granddaughter. The serial coquette of uber-glamorous pomp-coms is ready for the
big league with superstars as co-actors, better scripts and established
directors. The year 2012 marks a watershed year for the actress who not only
faces tough competition from gifted co-stars but has understood the fickle might
of the urban audiences on the lookout for new talent.
For Kareena
Kapoor, having grown up in one of the Indian film industry's most illustrious
families, it has also meant putting up with its tradition of not allowing its
women to work in cinema. With a gawky height and an angular face deemed
unfashionable for Hindi films, the 11-year-old Kareena would nevertheless follow
her sister Karisma to the sets of her debut film Prem Qaidi in 1991. Her temper
flare-ups were as well known as her complete lack of inhibition in front of a
camera. She has had years to prepare in front of a mirror putting on mother
Babita's make-up, simulating actor Sri Devi's dance sequences in the privacy of
her bedroom without millions of audiences judging her every move. But after 40
films and 10 years of fighting off competition from some of the most versatile
actors of her generation, Kareena has matured into a bankable actor reinventing
herself with surprising ease, film after film.
"I am my own
favourite"
Geet (Kareena): Dekho meri shaadi Anshuman se ho rahi hai and
all that, but agar wo nahi hota toh you never know....shayad MAI bhi pat jaati!
Just imagine. Aditya (Shahid Kapoor): Tum apne aap ko bahut pasand karti ho.
Geet: Bahut. Mai apni favourite hoon.
In her career-defining film Jab We
Met (2007), Kareena Kapoor, then 27, showed a side to herself previously
untapped by filmmakers who repeatedly cast her in flirtatious roles tailor-made
for India's new, moneyed audience in multiplexes. She completely dropped her
guard and gave an endearing performance as a simple, small town girl who strikes
camaraderie with a disillusioned millionaire. A mention of Jab We Met is pivotal
to discussing her transformation from the posh Pooja Sharma or 'Poo' of Kabhi
Khushi Kabhie Gham (2001) - a film targetted at the NRI base in the US
vicariously living the culture they have left behind in the country of their
birth. Women who observe Karwa Chauth, men who land their helicopters in their
front lawns and girls who sing and dance to Indian pop songs at their proms -
KKKG had audiences collectively hating the cast for the impossible dreams they
were living on screen.
It must be said of Kareena that she cut through
the froth to find 'Geet', a role that was perhaps closest to her own nature and
made it her own through a superlative interpretation that led to an army of
Geet-wannabes in subsequent situational dramas. Suddenly, every girl wanted to
be Geet and every man wanted her as a girlfriend.
"Agent Vinod will be my
last action film"
The year has started on a good note. In the Imran
Khan-starrer Ek Main Aur Ekk Tu, Kareena is an extension of Geet, albeit a more
mature one. As a hairstylist in Las Vegas and a protected girl from a Catholic
family of free-thinking mad caps, she combines just the right amount of the
ebullient with the naivete to force a conservative Indian audience to accept the
unusual climax. Lined up this year are her films Agent Vinod with boyfriend Saif
Ali Khan, Talaash with Aamir Khan and Heroine with Arjun Rampal and Randeep
Hooda.
She is one of the few actresses in the elite top earning club
whose standing in the industry is independent of what she delivers at the Box
Office. Her share of flops never failed to reinforce her image as a glamorous
actor who looks good on screen with almost any male lead. Yes, she has played
her share as the mere prop in films such as Bodyguard and Ra.One but has
redeemed herself with either an electrifying dance number or her comic
spontaneity.
"Luck has worked wonders for me"
She seems to be
leading a charmed life. With marriage on the cards with Saif, Kareena is reading
the scripts carefully before signing on the dotted line. At 31, the actor is
ready to move on to the next level, starring opposite bankable actors in films
she hopes will make the history books. More than the money factor, Kareena's
films this year reflect the thought she has put into her choice of projects.
Signing up for Talaash and Madhur Bhandarkar's Heroine, after Aishwarya walked
out due to her pregnancy, boosted her stocks further. The story of Heroine, that
of a superstar whose career is on the decline, required an actor who had the
domineering screen presence to match the performance of one of the biggest hits
of 2011 - that of Vidya Balan in The Dirty Picture.
Besides, which actor
doesn't want a cult film to his/her name?
As in any of Bhandarkar's usual
films, Heroine will expose the dark underbelly of the film industry. Both Agent
Vinod and Talaash are thrillers with superstars at the helm. While Kareena
shares an intimate chemistry with Saif, Aamir is known for his fastidious
perfection. The pair gave an endearing performance together in the 3 Idiots. The
films promise mature performances from its leads and Kareena has to match steps
with two of the industry's most brilliant actors. What The Dirty Picture is to
Vidya, Heroine promises to be that one film Kareena can look back on as her
career's landmark achievement.
"There's no competition"
As far as
competition goes, she faces significant challenge only from co-stars Vidya Balan
(Kahaani), Priyanka Chopra (Agneepath, Barfee), Katrina Kaif (item number in
Agneepath and Ek Tha Tiger) and Sonakshi Sinha with Rowdy Rathore, SOS and
Dabangg 2. For the rest of the year, the race to box office glory will be
divided among stars such as Bipasha Basu (Raaz 3), Sunny Leone (Jism 2),
Chitrangada Singh (I, Me Aur Main) and Rani Mukherji (Talaash, Aiyaa, Koochie
Koochie Hota Hai), none of them an immediate threat. Agent Vinod, where she will
be seen riding a bike, is her last action film, she says, but the worst of her
own share of forgettable candyfloss romances on screen are behind her. She now
wears better clothes on and off screen and has been criticized into trading her
ultra-lean, size zero figure for something fuller and more curvaceous. Most
importantly, she has visibly grown into a better adjusted adult who takes her
image as a teen role model seriously. Let's hope it pays dividends this
year.
source : IBNLive